The
Alchemy of the Kitchen Sink
I left work on Wednesday at 6:00 pm. Riding the W train home to
Brooklyn, I was reading part 4 of a 7 part lecture by Terence McKenna
on the subject of Alchemy. Mckenna starts the lecture by telling the
audience that he sometimes grows tired of talking just about
psychedelics. But really, when he starts his lecture about Alchemy,
there's really only surface difference from his talks about
psychedelics. The essence of his talks are about neither alchemy nor
psychedelics. The fundamental topic is about an underlining script in
the universe. Mckenna is the archetypal fool gesturing wildly at
something unimaginably profound...nudging the boundaries of our
imaginations about the very nature of reality.
Alchemy is about the transmutation of material reality. Changing lead
into gold becomes the popular image of the alchemist....the mad wizard
at work in a mad dash for the keys to eternity. How similar this
metaphor is to Mckenna himself. For the past week, from Brooklyn to
Manhattan and then back again in the evening, I was immersed in this
world of alchemy that McKenna was painting. A world of Gnostic sects in
2nd century Alexandria, chemical weddings, past dreams of creating
magical European kingdoms and ancient texts on undecipherable scripts
that have miraculously come to life.
I burned some incense and prepared to return to my studio to finish
some music begun earlier. Listening to Marvin Gaye's "What's goin on",
I walked into the kitchen to get some apple drink. It was there that I
had a startling revelation. Something occurred to me that I had never
noticed before. Something deep and profound and specific and it started
small and continued to spread until it consumed the entire world. It
was the silver-colored kitchen sink. The shape of it. The design of it.
The material it was made out of.
It occurred to me that this object did not remotely appear anywhere in
nature. But still, it had come from nature. These were nature's
elements that were harvested and smelt and shaped and designed. This
kitchen sink was the result of the sorcerer's hand. Here was the
conjured result of 25,000 years of human imaginative. Here was the
human equivalent of the manipulative evolution of nature brought to
form by stages and evolutions and creations and realizations. And then
it began to spread. The cabinets. The woven floor rug in front of the
kitchen sink. And it continued until it ate the floor around me and the
table and the walls and finally the ceiling until it rang out through
the windows. I stood in awe and immersed in alchemical manifestation.
We are surrounded by a world that is a physical metaphor of the forward
movement of the human imagination. Freed from moral qualifications, the
world of men's creations resonates out like a symphonic act rising in
crescendo in reflection to God's creation, nature.
The alchemy of the kitchen sink is poetry come to shape. At the same
time beautiful and quietly saddening in it's yearning towards the
sublime. Our modern brains are fooled into thinking that it's fairly
simple for a society to smelt it's stones, dirt and trees into
computers, cars, aeroplanes and rocket ships. But it remains the
physical document of the evolution of the alchemical mindset in our
species. Over a period of 25,000 years, it is the closest thing we have
to proof of divine grace.
Todd Amodeo
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